My Confession: The Recollections of a Rogue

Samuel Chamberlain was a boy from Boston with a grand sense of adventure.  He viewed himself as a romantic hero right out of the pages of a novel.  He wooed the ladies, clobbered the bullies, and traveled to his next adventure.  Is his autobiography just so much nonsense and self-promotion?  Oddly, a lot of it proved to be true.

Sam was an artistic lad whose father died when Sam was 14.  His wild streak began shortly thereafter.  Being more trouble than not, he went west to live with his uncle in Illinois.  Before long, he was fighting with his cousin, which caused his uncle to come at him with an axe!  Sam fled to Louisianna, where he became an accountant.  An affair with another man's wife sent him flying back to Illinois.  He had hardly arrived when there was a call for volunteers to go to war in Mexico.  Though only 16 years-old, Sam joined immediately.  He traveled to Texas with an Illinois Volunteer Regiment, but he didn't get along well with the command structure.  In San Antonio, he joined the Dragoons and found himself marching with General Wool to Monclova.  Being something of a hellion (his horse's name was Lucifer!), he found himself in several scrapes, sometimes with other troops, sometimes with Mexican guerrillas, and frequently on account of senioritas.

In December 1846, General Wool marched to support General Taylor at Saltillo.  There was a rumor that a grand army was marching north.  The army arrived in February and General Santa Anna attacked.  Samuel Chamberlain joined his first battle, the most epic one of the war: The Battle of Buena Vista.  The Dragoons didn't see a lot of action, but they were posted as sentinels during the breaks.  As action began on the 21st, expanded on the 22nd, and concluded on the 23rd, there was a need for lookouts during the nights.  Thus, Sam was posted between the two armies to be aware of night attacks.  Needless to say, he didn't get a lot of sleep.  It is a very different view of the battle where he spent much of it idle.

For the remainder of the war, he fought guerrillas and wooed the ladies.  When the war ended, he stayed in the service to head to California.  Halfway through the march, he deserted and joined a notorious band of scalp hunters.  Scalp hunters killed Apache and sold the scalps to Mexican authorities; it was a method of curbing the depredations that the Apache committed against the Mexicans.  Sam's tale of adventure ends in the California deserts between Yuma and the Salton Sea.

Like a good James Bond movie, Chamberlain had a new love interest in each adventure.  There was his true love in Boston, the woman met on the coach heading to Illinois, the girls at an all-girl school in Illinois, the married woman in Louisianna, and on and on.  Each is more beautiful than the last, but dreams of happily-ever-after are always foiled by circumstances.  Though the autobiography is built on actual incidents, his love life is almost certainly wishful thinking.

Chamberlain went on to become a general in the Civil War and lived until 1908.  Of note, his book and the many sketches and watercolors that accompanied it, was not published until 1956.  Doubtless, this book was an inspiration for George MacDonald Frazer's Flashman Papers.

Here is a great read with plenty of action, adventure, and romance.  Highly recommended.

Charley Varrick (1973)

A yellow car with an older man and a younger woman pulled up to the bank.  It has hardly stopped than a cop arrived and announced that it was a no parking zone.  The gray-haired man declared that he had a broken ankle.  The officer nodded and let it slide.  The old man went into the bank and, no sooner did the bank manager come to look at the check than the old man drew a gun.  Two other patrons - wearing masks - also drew guns.  Outside, the cop returned and the woman shot him.  A gunbattle erupted both inside and outside the bank.  Only two of the three robbers got out of the bank and the getaway driver rammed an arriving cop car off the road and floored it as they left town.

Charley Varrick (Walter Matthau) pulled off his old man disguise and Harman Sullivan (Andrew Robinson) removed his mask.  They had hardly arrived at the secondary escape car when Nadine (Jacqueline Scott) died from a bullet wound.  She really was Charley's wife.  The remaining robbers drove away in a van, arriving at Charley's mobile home.  When they counted the money, they knew something was wrong.  They had expected no more than $30,000; they had three-quarters of a million!  While Harman was elated, Charley knew that it must be mafia money and that they were dead men.

Maynard Boyle (John Vernon) received the call from the bank manager.  Unless he recovered that money, he was a dead man.  He knew just who to put on the case: Molly.  Molly (Joe Don Baker) was a man who could not be stopped.  He made his way to the little bank in New Mexico and began to track down the robbers.

How could Charley get away with the money while also guaranteeing that the mafia wouldn't forever be a threat?  He'd need to stay ahead of Molly, keep Harman from exposing them, and convince everyone that he was a dead man.

The story is terrific, but Walter Matthau is too likable to be as coldblooded as Charley.  He is over his wife's death before the day is out.  Once we learn about her background, it looks out of character for her to start shooting cops with wild abandon.  Wasn't this their first bank robbery?  Joe Don Baker is great as a grinning hitman, a villain who easily terrifies by his mere size and presence.

Recommended.

Dragged Across Concrete (2018)

Detective Brett Ridgeman (Mel Gibson) crouched on a fire escape outside a window when he heard someone coming up the metal steps.  It proved to be his partner, Anthony Lurasetti (Vince Vaughn).  They briefly bantered and noticed a nearby neighbor watching them.  Soon, they heard a knock, and the third cop was there to flush out the perp.  Sure enough, Vasquez crawled out the window only to find himself handcuffed and interrogated.  All seemed great but the neighbor filmed it and sent it to the news.  It didn't look good.  A six-week suspension followed.

Henry Johns (Tory Kittles) was fresh out of prison and found his mother turning tricks to pay the rent while his younger brother played computer games.  His pal, Biscuit (Michael Jai White), had a job.  Henry was willing but made sure to have some guns wrapped in cellophane.  "Why's that?" Biscuit wanted to know.  Sometimes, you don't have time to put on gloves.

Ridgeman lived in a bad neighborhood and his daughter was frequently harassed.  It was only a matter of time before she was of an age to get raped.  His wife was disabled.  He needed to score some money to get them out of the neighborhood.  He got a tip about a heist from a man who owed him.  Roping Lurasetti into the caper, the pair spent several days watching for Lorentz Vogelmann (Thomas Kretschmann).  Eventually, a pair of black men picked him up and drove off.  Brett and Tony followed.

The movie proves to be quite violent at times.  Vogelmann's goons, masked men in black who are differentiated only by the color of their gloves, proved to be killing machines.  When each is introduced, a couple of corpses are left in their wake.  At no point do they take off their masks.  Henry and Biscuit are brought into the crew as driver and spotter.  Of course, the suspended cops and the bank robbers will have a confrontation.

By the same man who wrote and directed Bone Tomahawk, the menace of the gloved men reminds one of the mysterious cannibal Indians from that movie.  Though Henry and Brett are the main characters, neither is particularly likable.  Brett is a cop who has gotten more jaded with each passing year, inured to inflicting violence on criminals.  Henry is a criminal, but he has a code of ethics.  He proves to be the best at seeing all the moving parts despite being relegated to a minor role.

Slow and plodding with moments of intense violence.  Meh.  Just okay.

Fargo (Season 1)

It was winter in Minnesota and a car sped down an empty highway in the middle of the night.  Suddenly, a deer was in the road.  The collision left the deer mortally wounded and the car in a ditch on the side of the road.  Then, the trunk popped open and a man dressed in boxers fled through a snowy field and into the nearby woods.  The driver, Lorne Malvo (Billy Bob Thornton), awoke to find a bloody wound on his forehead.

Lester Nygard (Martin Freeman) was a mousy insurance salesman in Bemidji, Minnesota.  While walking down the street, he encountered Sam Hess.  Hess used to bully him in school and decided to relive the good old days.  Shortly thereafter, Lester was in the emergency room for his injuries.  He happened be next to a man with a head wound, none other than Lorne Malvo.  Upon hearing Lester's story, Lorne claimed that he would have killed the man.  In fact, would Lester like Malvo to kill Hess?  Lester dithered but called 'Yes' to the nurse when she summoned him.  It was a fateful yes.

Sheriff Thurman was called away from the frozen naked man in the forest to the corpse of Sam Hess at a strip club.  Deputy Molly Solverson (Allison Tolman) had some keen insights and Thurman viewed her as his natural successor when he retired.  Molly linked the frozen man to the man with the head wound to Lester Nygard to Sam Hess.  It was all connected.  Though she wanted to interview Lester, the Sheriff went.  He arrived at the Nygard house to find that Lester had murdered his wife.  Before he could take action, Malvo arrived and killed him with a shotgun!

Now Lester must convince the police that he was a victim.  Malvo was only passing through Bemidgi on his way to Duluth. His car wrecked earlier, he took Lester's.  A tangled web is thus woven; it is up to Bemidji Deputy Solverson and Duluth Officer Gus Grimly (Colin Hanks) to unwind the threads and find the solution to the murders.  However, it gets much worse, as Sam was connected to a criminal organization who sent some fixers to find and kill his murderer.

An outstanding series with lots of interlinking storylines and interesting characters.  Billy Bob Thornton is outstanding as an agent of chaos, a man who causes trouble for the sake of causing trouble.  His Duluth job was to solve a blackmail scheme, but he instead took over when he uncovered the culprit.  Though a slight fellow, Thornton imbued Malvo with an astonishing level of menace and danger.  Really terrific villain.  By contrast, Martin Freeman begins as the most wimpy of characters but evolves into a conniving rat who sells out anyone to protect himself.  Allison Tolman felt like a retread of Marge Gunderson (Frances McDormand), going so far as to be pregnant for the climax.  Key & Peele star as a pair of FBI agents out of Fargo who are on the trail of Lorne Malvo.  They proved to be quite funny, more because it is them than any of their actions and dialogue.  Bob Odenkirk plays the new sheriff who is in way over his head and won't listen to Molly's theories. Keith Carradine plays Molly's father, a former cop who now runs a diner; he has a limp that ended his career.  Oliver Platt plays the blackmail victim and is also a man who, back in 1996, discovered a bag of a million dollars on the side of the road (see Fargo movie).  A terrific cast for an excellent ten episodes of dark comedy and crime thriller.

Throughout the series, there are several references to a dark event that led to Molly's father's injury, among other things.  This proved to be foreshadowing for season 2.

Highly recommended.

An English Soldier in the United States Army

In the summer of 1845, George Ballantine arrived in New York.  Born in Scotland, skilled as a weaver, and a veteran of the British Army, he sought work.  His best offer was to become a whaler, which did not appeal to him.  Instead, he joined the US Army.  He details his life as a soldier from induction at Governor's Island in New York, to his training at Fort Adams in Rhode Island, his transfer to Fort Pickens at Pensacola, then to Tampa Bay.  The Mexican-American War began less than a year after he joined.

Corporal Ballantine served in the First Artillery Regiment, Company I.  The regiment was sent to Tampico, Mexico, as part of General Winfield Scott's invasion force.  In February 1847, the regiment has shipped south but did not land until March 9.  To George's surprise, the Mexicans did not contest the landing on the beaches south of Vera Cruz.  Assigned to General David "Old Davey" Twiggs Division, he took part in the siege of Vera Cruz, and the battles of Cerro Gordo, Contreras, Churubusco, and Chapultepec.

Where most of the memoirs of the war were written by officers (q.v., Lt. Francis Collins, Lt. Henry Benham, Lt. John Hollingsworth, Lt. Harvey Neville, Lt. Albert Brackett), this one was written by a man in the ranks.  As such, it has a very different point of view.  He discusses the discomforts of a soldier's life, the frequent waiting even during the heat of battle, the harsh punishments meted out by officers which contributed to the high desertion rate, the high mortality rate from illness, and the constant quest for alcohol.

Occasionally, he discusses the generals.  He indicates that the men liked Old Davey, but also knew he was not much of a strategist.  Had General Patterson not intervened to prevent it, Twiggs intended to throw his division into a frontal assault at Cerro Gordo.  The men knew it would result in heavy casualties, but Twiggs was raring to go.  When Scott arrived the following day, he sent scouts to find a way around the Mexican strong points.  The men knew that Scott was stingy with their lives, thus his popularity despite his Fuss and Feathers reputation.

Very readable and highly recommended.

A Man Called Horse (1970)

It was 1825 and John Morgan (Richard Harris) was a bored English lord.  Being a noble with a military commission and inherited wealth wasn't for him.  No, he had resigned his commission and left England.  In lieu of wealth and status, he was shooting "prairie chickens" in the wilds of North America with toothless bumpkins who served as his guides.  Even this had become tedious.  No sooner had he declared his intent to return to St. Louis than a band of Sioux warriors fell upon his camp.  The chief, Yellow Hand (Manu Tupou), took his as a slave.  He described him as no different from a horse, and thus he was thereafter called Shunkawakan, which means horse.

Morgan was ill-treated by the tribe, and his every attempt at escape was easily thwarted.  Soon he discovered an ally among the Sioux; Batise (Jean Gascon), another slave who was fluent in English, French, and Sioux.  From Batise, he learned how to survive.  From his own grit, he learned how to thrive.  In time, he was embraced by the tribe, rising to a valued member.  He was initiated by the Vow to the Sun and married Yellow Hand's sister, Running Deer (Corinna Tsopei).  So satisfying had his life become, all thoughts of escape vanished.

Here is a movie that long predates Dances with Wolves, another movie where a white man adopts Sioux ways.  Historically, there are many examples of whites being captured - mostly as children - by various tribes and then being raised among them.  A contemporary movie, Little Big Man (1970), saw comical take on the white man among the Cheyenne.  The big claim to fame is that Sioux participated, offering details on the culture, practices, and rituals.

Why in the world did Joe (Dub Taylor), Morgan's guide, take him so far from civilization to shoot nothing special?  Joe and his cohorts proved to be useless, clearly unsuited to wandering the frontier. It is only a couple of years since the Arikara War (1823), the start of which was shown in The Revenant (2015).  These guys really are reckless, but how else are we going to explain an Englishman captured by Sioux? Richard Harris reprised the role in two sequels.

Iron Eyes Cody, best remembered as the Indian who wept about pollution, has a role as the medicine man.  He made a career of playing Native Americans, claiming such ancestry, despite being of Italian heritage.

Just okay.

Eagle's Wing (1979)

White Bull (Sam Waterston), a Kiowa warrior, was out raiding.  He and his fellow warriors spotted several Comanche.  The Kiowa attacked, overcoming most of the Comanche but the leader, who was mounted on a magnificent white horse - Eagle's Wing, easily outran White Bull's horse.  Though the leader escaped, he died from the arrow wound he suffered.

Henry (Harvey Keitel) and Pike (Martin Sheen) were a pair of American trappers.  Henry was an old hand, having worked as a trapper for several years.  By contrast, Pike was a recent recruit, an Army deserter who sought a new start in the wilds.  Henry and Pike had a contentious relationship because Pike was too fond of drinking and not a diligent enough worker.  Henry expected to rendezvous with Comanche for trade, but the Comanche didn't show.  Instead, White Bull's band of Kiowa attacked, stealing horses, pelts, and most of the gear.

Elsewhere, Judith (Caroline Langrishe) rode in a funeral procession with her brother, a Mexican gentleman, a lady, and her servants.  Her brother was a priest who had sent for her from Ireland.  Judith spoke no Spanish.  The lady wore black as the procession was for her husband.  They were bound for her brother-in-law's hacienda when White Bull's band attacked.  White Bull took everything of value, including Judith.

Two Comanche warriors arrived at a burial ground to find their shaman was dead.  His woman told how a white man stole Eagle's Wing while the shaman was presiding over the chief's funeral.  The pair nod gravely and immediately departed to exact justice.

Judith's brother arrived at the hacienda and raised the alarm about the attack.  Soon, a band of vaqueros rode forth to rescue the widow and exact justice on the Kiowa.

The setting is uncertain.  Trappers were generally searching for beaver, which is not common in the desert.  The market for such furs crashed in the late 1830s, so one supposes this takes place before that.  The Kiowa and the Comanche would most likely clash in Oklahoma and North Texas.  Pike talks about going south to Mexico or north to Canada, implying he is not currently in either.  It was filmed in Durango, Mexico, which stood in for Texas in Texas Rising.

White Bull is inscrutable.  At one point, he has gold, jewelry, wine, a captive, and Eagle's Wing.  His only threat is Pike, whom he repeatedly refused to kill when given the opportunity.  Why?  Of course, he doesn't speak English and rarely utters a word in his own tongue.  When he does, there is no subtitle translation for it.  It becomes clear that he was trying to buy Pike off by leaving each treasure except the horse, but Pike would not settle.

Pike is a directionless man, a wanderer who happened to fall into this story.  When he got his hands on Eagle's Wing, the horse became his identity.  When he lost it to White Bull, recovering the horse became his sole goal.  It did not matter that a fortune in jewels and gold was offered, he would rather risk life and limb for Eagle's Wing.  Why?  What strange power does this horse have over men?

Mostly, this is a contest between White Bull and Pike to see who will ride Eagle's Wing.  The other characters add color and variety to the story.  It is not your usual Western, but still entertaining.