Major Robert Dapes (Sean Connery) arrives in Cuba during the revolution. He has been hired by General Bello (Martin Balsam) to help deal with the revolutionaries. Dapes is given an assistant/minder, Captain Ramirez (Hector Elizondo), and authority to go where he will. Though he begins well enough, he forgets his purpose when he spots Alexandra "Alex" Pulido (Brooke Adams), a woman whom he loved in North Africa during World War II. Alex is married to the owner of a cigar factory, Juan (Chris Sarandon), who is cheating on her with Therese (Lonette McKee). Therese's brother, Julio, is furious about the affair and intends to kill Juan for the effrontery. Of course, Julio is also a revolutionary. Meanwhile, Larry Gutman (Jack Westson) is an American businessman who is eager to purchase the cigar factory. In order to get the cigars to Miami, he seeks out Donald Skinner (Denholm Elliott), the owner of Skinner Air and a man not above selling ammunition to the revolution. Yes, there are entirely too many characters in this story, each of whom get solo attention through the movie.
It was funny to see David Rappaport as part of the cast. He and Connery would star together again in both Time Bandits (1981) and Sword of the Valiant (1984). His role is small (no pun intended), and partly dubbed. Either that, or he could really deepen his voice. His use of a pistol was unintentionally comical.
The ensemble cast is entirely wrong for the movie. As a mini-series, this lack of focus might have been fine, but here Director Richard Lester only has 2 hours to tell his story. The emotional rollercoaster between Dapes and Alex is unbelievable. Dapes acts like Alex was the love of his life and he has not been involved with anyone since. Maybe he hasn't, but that isn't made clear. It gets weird when she reveals that she was 15 during the affair. Yikes. Clearly, Lester wanted to offer a cross-section of Cuba at the time of the revolution, giving a picture of all facets of society at the time. Yes, it is often interesting but not entertaining. It is eager to show how bad Batista was and thus paints the revolution as something positive. The movie ends on the 'high note' of Castro entering Havana. Then again, all of the characters we have met are worse off than when they started.
Skip this one.
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